Tips for hiring an architectural photographer #9
This is post 9 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
9. CHOOSE EXCELLENT CUSTOMER SERVICE.
Professionalism prevents a lot of headaches. It is often said that the first impression says a lot about a person. Make sure your photographer cares about your needs in more than just words. Their attitude, attentiveness and professionalism should show in everything they do. Make your life easier by choosing someone you can rely on.
Little Portugal fixer-upper by Downey Design
This project was featured on our blog a few months back, when we shot the interiors for the Designer. We have recently returned to shoot the exterior of the building upon completion of the landscaping.
Home to Arts & Labour home-studio, the renovation turned an old factory into an airy, bright space that appears to be much bigger than it actually is.
Although the renovated building may appear mundane at first glance, it is the simplicity of the elegant materials and solid detailing that makes it come to life in an understated fashion. It is first and foremost a very livable space as evidenced by the spatial and light qualities one finds throughout the project.
Tips for hiring an architectural photographer #8
This is post 8 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
8. CONSIDER ENVIRONMENTAL FACTORS.
Your photographer should know how to deal with these factors (seasons, weather and time of day) in order to take the best shots at the ideal time. Factor in weather and allow for contingency plans. Architectural photography is particularly subject to weather, especially when shooting exteriors. When planning a shoot, ask if your photographer has a contingency plan in the case of bad weather - and do not hesitate to reschedule. If images are shot in poor weather, you risk having to re-shoot the project at additional expense if the quality is negatively affected. Ask your photographer to supply you with a site prep checklist. There is a lot more going into preparing the site for photography than just cleaning up. In order to get the best looking shots, ask your photographer to make recommendations for staging the images.
Tips for hiring an architectural photographer #7
This is post 7 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
7. GIVE CREDIT WHERE IT’S DUE.
Mutually beneficial relationships are best for all parties involved and crediting your photographer whenever you use their images is more than a mere contractual requirement, it is an ethical thing to do. They should also credit you, the client, on their online and offline marketing material. Do not hesitate to ask them to do so should they not offer it from the get-go (it can also be a contractual agreement).
Junction Bungalow by STAMP Architecture
Revelateur recently had the pleasure to shoot a post-war bungalow renovation in the Junction neighbourhood of Toronto.
Designed by Brad Netkin of Stamp Architecture, the house is an very clever take on the bungalow typology. The original house was gutted and a second story was added, so that the main floor was turned into a spacious living-room / kitchen space opening onto the backyard and the front of the house was turned into a cosy dining room.
The main design feature of this house is a rather intangible one: natural light. Indeed, large windows and skylights are common currency in every area of the house, making the entire dwelling a very pleasant, airy one that makes one feel at ease instantly.
Add to the the mix the architect's idionsyncratic furniture and art collection and you get a home that is humble in its materials and finishes yet very generous with large spaces that give away a subdued feeling of luxury. This is not a house of ostentatious character, but rather a symphony of natural light.
There is a constant connection to the outdoors in almost every space of this bungalow. That alone makes it worth experiencing in person.
Tips for hiring an architectural photographer #6
This is post 6 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
6. MINIMIZE YOUR COSTS.
A good photographer will understand your needs and help you come up with a solution that fits your budget. There are many ways to keep costs reasonable and this should be discussed with your photographer, for example:
1. Shop locally if you can. By avoiding travel expenses, you save money and promote the local economy.
2. Bundle shoots together. If you can combine several projects to be shot at the same time, your photographer should be able to give you a better deal.
3. Use fewer and better views. Carefully consider the shots you need in order to save money. If unsure, your photographer will have a good idea of what shots will best tell the story of your project. Ask them to make recommendations.
4. Keep the bottom line in mind. How much money are you likely to make with these images? How many projects can they help you win?
Tips for hiring an architectural photographer #5
This is post 5 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
5. GET THE RIGHT LICENSE.
Great savings are within reach if you predetermine how your images are going to be used, including potential uses that might not appear necessary at first. Discuss your licensing options with your photographer and favor open source licenses (such as Creative Commons) over copyrighted images as these will give you more flexibility in the way the images can be used and limit your legal liability in case of a dispute. It is important to understand copyright law and how you can use your images - not all licenses are created equal - and be sure to ask your photographer to walk you through the type of license he/she is going to use and how it will impact your rights to the images. These licensing terms should be clearly detailed in the photographer’s contract.
Tips for hiring an architectural photographer #4
This is post 4 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
COLLABORATE
Photographing buildings and interiors is not an exact science and it requires collaboration between the photographer and client, in order to achieve the client’s vision. Photographers have a particular way to look at spaces, usually different from the clients'. It is a good idea to use this difference in viewpoints as a sounding board for coming up with ideas that neither you, the client, nor the photographer might have thought of on their own. The pre-production meeting and the scouting shoot are great places to brainstorm and kick-start this process. If you are going to be present on the day of the shoot, use this to you advantage by discussing each view with your photographer and formulating your specific needs in the clearest way possible. Your photographer should be able to show you each shot prior to capturing the image to serve as the basis for discussion.
Tips for hiring an architectural photographer - #3
This is post 3 of a series of 10, in a series detailing important aspects to hiring an architectural photographer while avoiding the most common pitfalls.
UNDERSTAND AND FORMULATE YOUR NEEDS.
It is advisable to sit down and think about what your needs are prior to discussing them with a photographer, in order to make them clear to the professionals you will be hiring. Think about the aesthetic/mood you are trying to achieve, the number of images you need, the way you envision your project to be shot, your budget and any other specific requirements you may have. Photographers should be able to help you uncover these needs by asking a series of increasingly pointed questions and come up with a tailored estimate that will cover all those needs. Once that discovery process is complete, the photographer will know exactly what those needs are. Remember that “understandings prevent misunderstandings” and ask your photographer to clarify anything that is unclear. Do not let technical terms and jargon confuse you.
Designholmen home and office by Downey Design
We had the pleasure to return to designholmen to complete our shoot.
In addition to the kitchen and dining room we shot the living room and the master bedroom. The understated elegance of the project, clearly influenced by designholmen's Swedish roots made the shoot a pleasure as there were many angles from which to capture the design, all of them looking really good.
We hope you enjoy these images as much as we enjoyed shooting the space.
Little Portugal fixer-upper
We recently shot a small industrial building in Little Portugal. It used to be a small factory that was transformed into a live-work space by Downey Design's Kevin Downey.
The project is interesting in the way only the outer shell of the building was preserved in order to keep the original form, yet, allow for dramatic open spaces on the inside.
The building is home to Arts and Labour design studio. This live-work space is stunning through its simplicity and brightness, as there isn't a time of the days when the space is not filled with natural light.
Natural light is a key component of the design and every space ends up being very bright and pleasant to experience. Sometimes it is all that's needed to make an otherwise plain space exceptionally cheerful. Add to the mix an exceptional art and design furniture collection and you get a unique space reflecting the personality of its owner.
We would like to thank Arts and Labour for letting us shoot the space and publish it.