93%

©2017 rvltr - Architect: WeissAU

©2017 rvltr - Architect: WeissAU

That's the proportion of homes, built in North America, for which no architect was involved at all. Some architects, Like Kevin Weiss, have the talent to conceive of homes that address that fact while providing their clients with solutions to their problems.

House 93 is the result of that. Even thought it's been around for a few years, I'm still amazed to this day about how clever the final result is. That's a textbook case of turning a major challenge into an opportunity.

Read more about the house on WeissAU's page.

 

I hope you take as much pleasure reading my writings as I do writing them because they are created for your enjoyment! 

Click “>>subscribe” at the top left of this page, to get our daily (or weekly) updates straight into your inbox. You can also write me a little love note here. I truly enjoy having conversations with you about what I write.

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Timing your visual communications to run a better business

~ 4.5 minutes read

In the typical cycles of business, we are now fully in the 100-day sprint, the roughly 100-day period between now and the holidays where businesses are the most productive. People are coming back refreshed from vacation, kids are back in school and summer is gone, so there is no more excuses to play hooky and go hide at the cottage. Lake water is too cold anyway. That is, until the end of the year, before people take off again for the holidays to go skiing in Gstaad.

In the realm of visual communications and specifically architectural photography, not only we are subject to business cycles as described above, but even more so to seasonal conditions. That translates into a shooting season - without guns -  that extends from roughly May to November, coinciding with vegetation being in a suitable state and the weather being cooperative to allow for good photographs of your buildings and spaces. In that timespan we get all kinds of colours and textures, from the vivid bright greens and flower blooms of spring to the colourful fall season, without forgetting the deep greens of the mature, midsummer vegetation.

When you superimpose the seasons with the traditional business cycles, it looks something like this: post-christmas coma and hibernation from January to May, spring awakening in May-June, Summer slump (a.k.a. Spending summer at the cottage) in July-August and 100-day sprint from September to Christmas time a.k.a. “Shit! I need to wrap up my projects” period.

Photography seasons

Photography seasons

Why should I care?

We are in the last 50 or so days of good, predictable weather and decent vegetation before we are stuck with cold, shitty weather for the following 6 months which makes architectural photography quasi-impossible. Some projects are suitable to be photographed in winter, but these are the exception to the rule. Timing a project with a snowfall is also extremely challenging as winter snow tends to turn into slush in the city after a day or two and believe me when I say you don’t want to shoot in those conditions. If you’re an interior designer you might think “Haha, nice try, but this doesn’t apply to me!” as you’re not subject to weather.

While you’d be correct in thinking so from a technical and logistical perspective, let’s not forget the dreaded award season, from post-christmas to the early summer, where most award submissions are due. Marketing professionals spend most of that time working on submissions, on top of the million other things they usually have to do like managing social media, RFPs, etc. Based on my experience, most of them do not want to deal with managing photoshoots on top of that.

Ok, so all of this is self-serving, but how does it apply to me?

I’m glad you asked. Well, taking into consideration all of the above, what that means to you, is that by and large, you are left with 60 days (90 for interior design projects) to plan, execute and complete your photography projects before everyone in your office switches to holiday mode and slows down to a crawl for about a month, spending more time thinking about that vacation in Gstaad or the dreaded presents they need to get for their incredibly hard to please in-laws.

Considering that it takes easily 3-6 weeks to plan, prepare for and execute a shoot, there isn’t a lot of time left to get that accomplished. With professional pictures in hand before the the season’s end, you will be able to do the following:

  • Promote your latest 2018 projects to prospects with the goal to sign new clients, and keep feeding new prospects in your pipeline.

  • Have your images ready for your winter slump, when your marketing people will want to have them handy for the 10 million + 2019 award submissions they’re going to prepare. Believe you me, they will thank you.

  • Wrap up the current year with completed projects, which should bring a sense of accomplishment to your practice and boost morale before the seasonal affective disorder sets in. Happy employees = productive employees.

  • Take advantage of the winter slump to plan and prepare your 2019 press submissions and scour the newest editorial calendars, in order to time your media relations accordingly and increase your chances of being published, not to mention that beautiful photographs will help you in the matter.

All of the above, accomplishes one thing: it makes your practice more efficient and more effective on many fronts. Which results in less time spent scrambling to get something done at the last minute, more time to do other important business things (or more time for yourself) as well as a long-term increase in your profitability because you now run a lean, mean business development machine.

After all, who wouldn’t like more time and increased profits?

If you have questions about this article or rvltr, or want to book your fall 2018 shoot, you can reach us at hello@rvltr.studio.



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{Insert flight pun here} Let your projects soar with aerial photography.

When I hear the words aerial photography, it evokes a different perspective, looking at the world through a bird’s eyes. Since we humans, are so accustomed to looking at things from the ground level, which means looking up at the city; having access to this view from above, gives us the ability to appreciate the urban environment from an unusual perspective. A different point of view which makes us appreciate the amazing setting we’re a part of. I personally marvel at the level of human achievement every time I get a chance to look down at the city, as it suddenly comes into focus.

With the advent of consumer-level drones, aerial visualization & photography has become a bit of an ubiquitous commodity, but it has not completely superseded traditional aerial shots from aircrafts, if only for regulatory reasons that make flying a drone in the city both complex and a huge liability (drones also have the bad habit of being very prone to randomly crashing, speaking from experience). That means that to shoot anything from the air in the city, there is not yet a good substitute for planes and choppers.

This is why rvltr partnering with our dear friend and veteran aerial photographer Brett Price(linkedin) to offer you his expertise and knowledge of shooting from the air, combined with our knowledge of the city and its surroundings. Over the course of the first 2 weeks of September, Brett and rvltr will be available to shoot all over the GTA and beyond.

If you had projects under consideration for some yummy aerial photography, now is the time to act and book Brett + rvltr here. Spots are limited and going fast!

Instagram @brettprice / @revelateur_to

The fine print: Each location is shot to your specifications (Close ups, or to show property in relation to amenities etc). If you are interested, book us here, or have any questions please contact us, with the address of the property you wish to have photographed along with roof colour, and size of property. We will get back to you promptly to discuss the details of your project and come up with an appropriate scope of work and budget, based on your needs.

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Giaimo x Rvltr: lessons from an instagram takeover

A report on lessons learned from a Giaimo x rvltr instagram takeover.

In our quest to find new ways to tell captivating stories, we at rvltr constantly like to experiment on a small scale, and are particularly fond of Instagram’s potential to weave written stories with imagery.

Instagram takeovers have been around for a while, but we had yet to see a well-designed takeover designed around a central theme, telling a story over a given duration. As an experiment, we thought that one of our clients could take over our account for a few days to connect them with our audience and tell such a story.

Thinking about who would be a good fit for us, we determined that our good friends at Giaimo, a young Toronto-based architecture firm with whom we share a lot of values, would be a perfect fit. They were fairly new to Instagram and did not have an established publishing strategy, so there was potential for a big upside and virtually no downside for them.

We approached Giaimo with the idea, and they agreed without hesitation. We then engineered with them a friendly takeover of our Instagram account. Over the course of a week, they shared with our audience who they are, what makes them unique and imparted their approach to design in order to make our audience more familiar with their work.

Because we believe in transparency and honesty, we gave them the keys to our account and were purposely not involved in the day-to-day running of the account over the course of that week. After initially establishing some basic parameters regarding the posts format and general content, Giaimo came up with a week-long story arc, centered around each one of their employees, weaved into the idea of scales, from the house to the nation. Each employee was in charge for a specific day and a specific scale.

Visual overview of takeover: each line represents a day/theme, with one team member in charge for the day. Day 6 was the only exception, representing the firm's philosophy as a whole.

Visual overview of takeover: each line represents a day/theme, with one team member in charge for the day. Day 6 was the only exception, representing the firm's philosophy as a whole.

Here’s how it unfolded:

  • Day 0 was the hand-off and introduction of the take-over. This was intended to ease into the takeover and signal to our audience that something special was happening that week
  • Days 1-5, each employee was responsible for the account that day. They each prepared 2-4 posts showcasing some of their ideas, personal beliefs of projects they were working on, relating to the idea of scales: house, building, street, district and city.
  • Day 6 was tying it all together by presenting their concept of “AS FOUND DOMINO” which they showcased through imagery of concepts they came up with, tying it all together around the idea of working at the scale of the nation.
  • Day 7 was a video recap and wrap-up of the takeover. 

 

Over the course of that week, they posted 25 posts, both video and images integrated with captions that told a brief story of the idea conveyed through the imagery and forming a part of the whole week-long story arc. This made for a revealing series of post that took our respective audiences on a personal journey with Giaimo, in their office and their minds. They took to heart our initial idea to be authentic and transparent in the way they portrayed themselves, so that people would develop a more personal connection with the firm.

Since it was a new endeavour for both of us, we went into this with an open mind. From Giaimo’s perspective, it was a massive success, not only from a numbers perspective (more on that below), but also because they’ve learned a great deal about themselves and the way they appear to their small, but growing audience. All the while we kept an eye on Giaimo’s account statistics, in order to gauge the effect that a carefully curated posting strategy could have on their account.

Joey Giaimo, the firm’s founder and principal has this to say about the experience:

“For a relatively new Instagram startup, this takeover was a rare opportunity to connect with a larger and affiliated design community, to present not only our material but also revelateur's work from the perspective of our architectural practice. The visual distinction of Instagram combined with revelateur's photographs throughout the posts made the takeover a compatible one, with a seamless transition.

We are just past our practice's 2 year mark, and the takeover came at a time when we could compile a substantial amount of work to date and reflect on the practice's output. It was also an opportune time to be self-critical and determine if our ideas and approach to architecture were translated into the built works and the continued design process.”

 

In our minds, it was a tremendous success since there was a significant increase in engagement on our respective accounts throughout the week:

On Giaimo’s (@giaimo.arch) account:

  1. They started the week with 119 followers and ended it with 178, a 66% percent increase, compared to a growth from 0 to 119 followers in 9 months since october 2016.

  2. Over the course of that week, they went from 109 impressions (numbers of times any of their posts were seen) to 6728, a 6172% increase.

  3. Their reach (number of unique account views) went from 20 to 546, a 2730% increase.

On Revelateur’s (@revelateur_to) account:

  1. We started the week with slightly over 8400 followers and ended it with about 25 fewer followers, a 0.25% decrease.

  2. We went from 8508 impressions to 36473, a 428% increase.

  3. Our reach went from 1941 to 3493, a 225% increase.

 

If we strictly look at the numbers, there was clear benefits for our respective companies in doing this takeover. The stupendous engagement that Giaimo has seen has to be tempered by the fact they started with a small following so a significant boost in postings frequency and quality would bring about tremendous growth, but it is amazing to see how much organic growth can be generated with a defined strategy. For rvltr, the level of engagement was really the important metric and with our more mature account and audience, that’s really what we are focusing on, as we try to leverage our ability to reach to 8000+ people by capturing their attention.

Beyond the numbers, this takeover showed that a sustained posting strategy will yield results and that posting roughly 4 times as many posts as we would in a typical week has some value to it. What both Giaimo and ourselves realized is that it is a lot of work to put together and we particularly wanted to thank Giaimo for taking this to heart and go all the way, despite the amount of work and coordination that this represented for them. We will both go back to our normal instagram duties with a renewed sense of pride in the work we do. We were certainly inspired to up our game and start coming up with new ways of telling stories. We hope you’ll enjoy them!


 

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Hambly House on the cover of Canadian Architect

Cities such as Hamilton are rapidly growing and being designed to accommodate the sheer influx of people moving to the downtown and surrounding areas. This is a reversal of the strategy of the 1950's when the United States and Canada preferred to build cities around highways to promote easier travel and automobile use. Thus, today the surrounding areas of Toronto (Hamilton, ON in this case) are becoming more architecturally sound, interesting and diversifying the neighborhoods. The Hambly House by DPAI and Toms + McNally featured on the cover of Canadian Architect this month is a prime example of bridging the gap between old and new. Further reading HERE!

Hambly House at dusk

 

 

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Coach house photographs on Dwell

This home, built to replace a dilapidated coach house, finds privacy on a tight plot. (Via Dwell)

Our pictures from the coach house project, by Post Architecture / Gloria Apostolou, was recently featured on Dwell's website.

Living room

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architecture, exteriors, feature, Photography Revelateur Studio architecture, exteriors, feature, Photography Revelateur Studio

Introducing TAXONOMIES, a photography art show in Toronto.

For immediate release

TAXONOMIES photography show (#taxonomiesoog)

featuring

Ultradistancia by Federico Winer

Architectural Inoculation + Attracted Opposites by Arnaud Marthouret, in collaboration with Reza Aliabadi and Melissa Tung

 

27 February 2016 -- The much anticipated gallery show opening at ONLYONEGALLERY will have its grand opening event on March 10th, 2016 starting at 6:00pm, while the show will continue to run through March 26, 2016. “TAXONOMIES” is a dynamic yet playful perspective centered on global human placement, as well as a look at how we as species interact with the surrounding environment; built or natural. This is not a critique or praise of human activity, but rather, a current snapshot of today’s times, showing our interaction with the world at three different scales: Macro, Meso and Micro.

Ultradistancia, Macro, is a global perspective using a simple and free visual apparatus – Google Earth – for use in abstract image manipulation. The abstractions play with color, texture and shape to a surreal degree. The objective being to understand how humans, as a genus, forget to look with our eyes and habitually perceive the world through technology.

Architectural Inoculation, Meso, with Reza Aliabadi, is photographic documentation showing injective designs residential designs into post-war era residential Toronto neighbourhoods. These middle-class unapologetic, sometimes disruptive, architectural customizations, which have become a phenomenon in recent years, many times disrupt their surroundings. The boldly truthful photos turned out - authentic, honest and beautiful - true to the architecture. Here, the subject isn’t portrayed as a stand-alone piece of art or architecture but rather as object trying to integrated within its urban fabric.

Attracted Opposites, Micro, is a significantly playful collaboration where “ownership of public urban spaces” was the overall objective. Together, Arnaud and Melissa came up with creative ways to explore and take over stylish, sophisticated public parks within Toronto to openly practice yoga poses. This project is about being temporary. Appropriating spaces for uses they are not intended for. It is about transporting vitality and seduction to sometimes hard, cold spaces, presenting final images that would otherwise be void of such beauty.

ADDITIONAL EVENT INFORMATION ON FACEBOOK.

About the artists:

Federico Winer. Born in Buenos Aires, Argentina, is a multi-faceted artist, photographer producer, a habitual traveler and super friendly collaborator. With his background in Political Science, Philosophy, Architecture and the arts, it was natural for Federico to become a professor of Political Philosophy at the University of Buenos Aires, where he is currently teaching. He is also the founding member of the Experimental Group of Experimental Thought Soy Cuyano, with several academic and art performances in Argentina and Europe.

Arnaud Marthouret. Born in Grenoble, France, Arnaud, founding partner and lead photographer of revelateur studio is a trained architect and architectural photographer. As an inherently creative person, he brings an imaginative perspective that often categorizes him as quirky artist but that only feed his insatiable curiosity and thirst for the new and unusual. These traits he cherishes and nurtures to this day, as they allow him to understand the world with a different attitude.

 

TAXONOMIES Opening Night brought to you by our wonderful and generous SPONSORS:

Absolut Vodka - Liquor

TPH - Production/Printing

South Street Boatbuilders / Tim Richards - Furniture

Dr. Michel Marthouret - Financial Backer

Victory Social Club / Andres Landau - Logistics

RZLBD Atelier - Collaborator / Supporter

Melissa Tung Yoga - Collaborator / Supporter

 

About the organizers:

ONLYONEGALLERY (OOG) was created in December 2011 as a limitless experiment in concept space. OOG is about collaborating, creating, and demonstrating something special - a live physical experience. OOG is a multidisciplinary studio and gallery that hosts and produces individual and group exhibits. OOG is proud to support emerging and established artists alike, to present a roster of ambitious exhibitions, and to act as a creative hub where ideas come to life. In July of 2015 OOG relocated to a new 3000sq ft. gallery space in the heart of Parkdale, Toronto. For more information visit www.onlyonegallery.com

Cais Mukhayesh. Owner, director and curator at ONLYONEGALLERY located in Toronto, Canada. Since 2011 he has worked intensively with both local and international artists, photographers, and musicians; producing over 30 art shows, exhibitions, and events showcasing primarily urban contemporary art, music and culture. Cais has worked on many successful creative partnerships with companies such as Absolut Vodka, Jameson Whiskey, Havana Club, Molson-Coors, Steamwhistle Breweries, Lishiko Japan, Hennessey and Saks 5th Avenue; as well as established an impressive roster of talented artists.

Revelateur studio (Arnaud Marthouret). Revelateur studio brings together many curiosities uniting slightly schizophrenic yet opposite lifestyles: hip cosmopolitan urbanite vs. outdoorsy nature lover. The studio’s work goes the extra mile to ensure integrity for each building, photographically, which inspires and deserves the best photographic representation. Revelateur studio works with a team of the highest level photographers, photography assistants, PR professionals, stylists, film-makers, graphic designers, coaches and mentors. For additional information visit www.revelateur-studio.com

 

 

 

 

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exteriors, feature, institutional, News, Photography, Shoots Revelateur Studio exteriors, feature, institutional, News, Photography, Shoots Revelateur Studio

PROJECT HIGHLIGHT: Lycée Terrail High-School, Atelier Métis

Crepuscule / Dusk

English version below.

Ce projet d’extension d’un Lycee a Pontcharra, pres de Grenoble, consiste en l’addition de 14 salles de classes sur un niveau RDC. Les 4 batiments sont en bois modulaire 3D installes en forme de “U" atour d’un jardin des poetes. Cette typologie caractérise l’ambience introvertie et apaisée du lieu, créant un environement propice a l’enseignement.

Le jardin des poètes / The poet's garden

Le cote simple et sans prétention du complexe est très appreciable, ou la qualité de l’experience des usagers prend le pas sur les gestes architecturaux. C’est un projet élégant par sa simplicite et son efficacité, sans fioritures.

Avancée de toiture principale / Main roof overhang

La toiture metallique apporte une touche d’elegance et permet d’augmenter la durée de vie des bâtiments, tout en améliorant le confort d’été et réduisant la consommation énergétique. Les larges ouvertures contribuent à la qualité des intérieurs par leur abondant apport en lumière naturelle, ainsi qu’à la transparence des bâtiments qui confère a l’ensemble une impression d’ouverture, très a propos pour des bâtiments scolaires.

Cour / Courtyard

J’ai pris beaucoup de plaisir a photographier ces lieux, d’une part car c’est un project architecturalement intéressant et d’autre part car le cadre montagnard est absolument magnifique.

Allée + Entrée d'une salle de cours / Walkway + Classroom doorway

English Version:

révélateur had the privilege to shoot this extension for a high-school in Pontcharra, near Grenoble, France. The four buildings comprise 14 classrooms on one level, a "poet garden" courtyard and are prefabricated wood structure, manufactured in a plant and assembled and finished on-site.

The unpretentious atmosphere is very pleasant, as it is the user experience that takes precedence over grandiose architectural gestures. It is an elegant project du to its simplicity, functionality and well-chosen materials.

The steel roof, though not functionally indispensable, brings visual elegance to the ensemble and summer comfort as am oversized sunshade that contributes to reducing the energy footprint of the building. The oversized windows contribute to the feeling of transparency, literally and figuratively, which is perfectly appropriate for an educational building.

I truly enjoyed shooting this project as it is both architecturally competent as well as set in a mountainous landscape that provides the perfect backdrop.

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FLASHBACK: Boathouse by Weiss AU

Overall view at dusk

This past fall révélateur was commissioned by Kevin Weiss, principal of Weiss AU, to shoot a pretty exceptional project, if not in size, at least in quality and originality.

Interior of the boathouse

The boathouse, located on a private island in Georgian Bay, near Parry Sound is a beautiful object in and of itself, that also manages to blend in its natural element seamlessly. Unapologetically contemporary, it proudly stands among the trees on the shoreline of this island. 

The dock

Though it is decidedly contemporary in form, its materials are a nod to traditional Canadian cottage architecture. The colours are neutral (mainly grey) and the predominant cladding and structural material is wood, which contributes to making this project at home in cottage country.

Sunrise view from path leading to main cottage

From the dock

Detail of outdoor living room



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révélateur in Dolce Magazine

Weiss AU's boathouse was featured in the Spring 2015 edition of the magazine. Kevin Weiss' design deserves the kind of attention it's been getting lately and we hope to see more of his work published in the future.

Stay tuned for future publications of our images.

 

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Flashback: Do you like Le Corbusier? | Aimez-vous Le Corbusier?

French version below | Version Française ci-dessous

Chapel viewed from the South | Chapelle vue côté sud.

During my last trip to France, back in February, I was lucky to visit the famed Chapelle de Ronchamp by Le Corbusier (Wikipedia).

I had the opportunity to snap a few photos, which hardly do the building justice. Le Corbusier has a knack for designing religious buildings that generate uplifting and highly spiritual experiences, even to the non-religious. His buildings are always best experienced in person as the space, light and materials are difficult to convey in photographs.

I took these shots on a freezing, sunny winter morning, which resulted in beautiful deep-blue skies that frame the white and grey building really well.

The property contains additional annex buildings (such as the maison du pèlerin, pictured above) in addition to a new convent for the local Clarisse Sisters chapter designed by Renzo Piano.

Piano’s building is well integrated in the hill and hardly visible from anywhere, in deference to the master’s chapel. It is nonetheless a very sensible project that is very well executed in typical Piano fashion.

La maison du pèlerin

Au cours de mon dernier séjour en France, j’ai eu l’honneur de visiter la chapelle de Ronchamp par le Corbusier (Wikipedia)

J’y ai pris quelques photos, qui rendent difficilement justice a cet édifice d’exception. Corbu savait concevoir des bâtiments religieux générateur d’expériences spirituelles fabuleuses, accessibles à tous, y compris les personnes non-religieuses. Il est recommandé de visiter ses bâtiments en personne, car la lumière, les espaces ainsi que la matérialité de ses projets difficile a représenter en images.

J’ai pris ces photos un jour d’hiver ensoleillé mais également très froid, ce qui m’a permis de capturer ce ciel très bleu qui encadre la chapelle blanche et grise et contribue a la mettre en valeur.

Les bâtiments annexes (comme la maison du pèlerin, ci-dessus) sont assez peu connus parmi l’oeuvre de Corbu et sont cependant de petits dépendances architecturalement intéressantes, bien que formellement simples et initialement conçues pour abriter le curé ainsi que les pèlerins.

Renzo Piano a récemment conçu un nouveau bâtiment qui s’intègre dans le programme existant. Il s’agit d'un couvent pour les Soeurs Clarisses, ainsi qu’un centre d’accueil et d'exposition (Porterie), qui s’intègre très bien dans la pente et n’est presque pas visible de puis le haut de la colline. Le parti architectural, a la fois discret et efficace, rend hommage a la chapelle du maître sans jamais essayer de lui voler la vedette. La lumière et les matériaux en font un projet typiquement Piano.

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Yorkville Residence on the cover of Designlines Magazine

révélateur is proud to announce its first magazine cover! Our shoot of the Yorkville residence by Audax Architecture was featured in the the Spring 2015 issue of Designlines magazine.

Spring 2015 cover

Interestingly, this is our first ever commissioned project and turned out to be a client favourite from day one. This reno of a 70's modern house turned a very dated dwelling into a sleek, contemporary, state of the art dwelling that reflects the personality of its owner, a 30-something successful entrepreneur from Toronto.

Click here for full article.

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révélateur in Award magazine

Our shoot of the Buckingham Arena by WGD Architects was featured in a recent issue of Award magazine. 

The article covers the story of the PPP process the various stakeholders had to go through in order make this project a success. Read full story below.

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Buckingham arena by WGD architects

Front entrance

Earlier this summer révélateur shot the brand new Buckingham Arena in Downsview Park, Toronto. This was an interesting challenge for us as we had never shot this type of facility before.

WGD Architects designed a four-rink arena for local leagues and events. Based on our scouting shoot, our studio was commissioned to take 10 images of the project. We had our eyes open for the money shots and luckily, the cool, somewhat industrial and utilitarian aesthetic of the building lent itself well to getting great shots. 

Main Lobby

We set out to shoot at the end of the day as we knew this was when the arena was going to be the busiest, giving us plenty of opportunities to introduce the human element in our images. Without people, such a large building would end up looking very empty and cavernous. 

Lucky for us, there were hockey games going on during our shoot so we seized the opportunity to include some motion to the rink photographs by shooting additional frames a slow speeds so we would get the proverbial motion blur that makes architectural shots much more dynamic and is particularly fitting to shooting a hockey arena.

Main Entrance

We learned a lot from this shoot as we were given minimal instructions from the client and had the opportunity to explore some more creative angles, some of which ended up being picked by the architect.

We later on shot another arena for the same client that will be featured here in the coming weeks.

Typical rink (1 of 4)

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Little Trinity by DTAH

Earlier this summer, Revelateur was commissioned to shoot DTAH's little trinity project. This is constitutes a good example of adaptive reuse in the city of toronto. This was a fun shoot as it was all about showcasing the interplay between the old and the new. 

Facade on King St. East (at Parliament).

DTAH has a summary of their project here:

"The Little Trinity Church community, founded in 1844 near the corner of King Street East and Parliament Streets in Toronto, developed a building expansion study to investigate the renovation and redevelopment of the three buildings on their site to maximize community worship, social services, and recreational uses in response to the future West  Don Lands development immediately south of their property.

Back of building from garden.

DTAH redeveloped the derelict 19th century townhouses at 399 King Street into the Little Trinity Annex, a new administrative centre and multi-purpose hall for the church community. Renovations in the school house building included the basement multi-purpose hall and ground floor child care spaces to maximize Sunday School capacity and functionality."

Multi-purpose hall.

Although a small project, it was a fun shoot as adaptive reuse presents challenges that are not necessarily evident when shooting other kinds of projects.

Building from garden.

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Photography + Styling = Killer Images

Styling is the art of making a space look like it’s lived in, often in a subtle and discrete fashion. Ideally it is something that not consciously noticeable because it looks natural. This effortless look requires a lot of planning and production work, but the results are often far beyond what a professional photographer alone can offer.

Kitchen

Kitchen

Révélateur studio always strives to improve the quality of its offerings and client satisfaction. This is why we are pleased to announce a partnership with professional stylist Laurie Clark. Starting immediately we are offering styled photography packages. By offering these packages, we take the headache out of shooting professionally styled quality photography, while delivering incredible value as these images will make you look fresh and professional.

Main entrance and lounge

Main entrance and lounge

Laurie Clark of GH Styleworks is a master stylist with a background in art direction and graphic design. She has an eye for the killer accent that is going to bring a photograph together. Our own architectural and photography background complements Laurie’s skill set perfectly and we can together deliver images of exceptional quality.

Dressing room

Since a picture is worth a thousand words, the images included in here a few example of images that came out of a shoot we did with Laurie (Project: Taylorwood, Build: Rose Barroso | Barroso Homes, Design: Urbanscape | Ali Malek-Zadeh). Feel free to contact us for further information on these packages.

Main entrance

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Stafford Development projects

We have been working with Stafford Developments to shoot some of their completed projects to showcase on their new upcoming website. Below are some shots that we did for them:

The Rushton Residences, 743 St. Clair W.

530 St. Clair W.

500 St. Clair W.

Film District Towns

Stay tuned for more cool shots to come...

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Single Serves Podcast: